Saturday, June 9, 2012
Transit
The great Greek philosopher Pythagoras of Samos said
almost 26 centuries ago “A thought is an idea in transit.”
True enough; the symbol of modern
industrialization has been the steam machine, where it moves the world a lot
faster, more efficiently. Such
symbol still carries its significance today as the efficiency of trains; the
wait between transits sort of translating to each country operates her own
system.
In February, 20111 I spent a good 10 days in
Myanmar, good part of 2 of those days spent in the Yangon train station, and
you see a lot.
Here in Myanmar, life is slow for most, not
that time does not matter, it does, it just matters less. And you see that in
trains, in transits. You see a
small life developing inside a train station, a small world there, and one may
say that is beautiful because there is nothing to rush. It is not wrong, but then the countries
that move fast and efficiently are not wrong either, they spent the time they save
in transits for something else.
Yangon, Myanmar, 2011
Friday, June 8, 2012
Sunday, June 3, 2012
Vesākha
Vesākha (Pali; Sanskrit: Vaiśākha,
Devanagari: वैशाख, Sinhala: වෙසක් පෝය) or sometimes
referred to as Vesak is a holy day observed in greater South and South
East Asia. It was normally
celebrated as “Buddha’s Birthday” while it actually encompasses birth,
enlightenment and passing away of Gautama Buddha.
In Thailand, it is called the Wisakha Bucha and it is today,
a national holiday and national tree day, a day when most Thais go to temple; a
day of political bodies hustling the rivals, a day eventually can be pivotal to
Thai future.
Picture was taken in a bronze foundry in Mandalay, Myanmar.
Mandalay, Myanmar, 2011
Friday, June 1, 2012
Thursday, May 31, 2012
Myanmar at the age of change
Abraham Lincoln said it well; “Labor is prior
to, and independent of, capital.
Capital is only the fruit of labor, and could never have existed if
labor has not first existed. Labor is the superior of capital, and deserves
much the higher consideration.”
This was an image took in 2011, before Myanmar
finally and reasonably opened for outside in 2012, wondered how long the scene
such as this will last.
It is not to ask Myanmar not to develop, they
of course should. But will the harmonious state be kept? It is something to wait and see.
Mandalay, Myanmar, 2011
Sunday, May 27, 2012
Friday, May 4, 2012
Curiosity
A man who leaves home to mend himself and others is
a philosopher; but he who goes from country to country, guided by the blind impulse
of curiosity, is a vagabond. ~ Oliver Goldsmith
That’s why most children grow up and most men just
grow old.
Yangon Train Station, Myanmar, 2011
Thursday, April 12, 2012
Ending the day
Shooting till the end of light, the best way of
ending a fine photography day.
Don Forsyth, a Londoner with his D3X making his
master piece, Steve McCurry settled down for the day, enjoy the peaceful boat
ride on Inle, and I was on the tail of the boat, making this image with my
Canon 1DsIII mounted with EF 24-105/4L IS, which helps a lot for me to capture
this image of slow shutter speed to register the speed of boat while the modern
technology of image stabilizer help to still maintain the subject reasonably
sharp.
In Le, Myanmar, 2011
Saturday, April 7, 2012
Friday, March 2, 2012
Digital and Color Photography
Today is the day Kodak finally put down its hat, surrender from color reversal film for good, ending a 77 years heritage.
I started photography early and went thru a long list of cameras in the pre-digital time, and it is always a choice of either Kodak or Fujichrome in those days, with rare exceptions of Agfa or Ilford or Polaroid, which are all long gone before Kodak. Some said what really killed Kodak film was not digital but Fujichrome – after the success of E-6 friendly Velvia. Velvia is perhaps the monumental product that signified Kodak has reached and over its peak. Kodak did go on developing successfully in digital, but only for a limited time before again missed in its development direction.
This is an image I took in Inle Lake, Myanmar in February, 2011, which I just recently cam back to look at them, saying the true nature about digital photography – one tends to shoot more than he really wanted, but with no regret, but the mountains of digital files may sometimes never got paid the same attention, as film was.
Anyway, while look through the Capture One folder I built the night after the shots and never got looked back again until today, this image shot with Canon 1DsIII with EF 24-105/4L IS strikes me a strong resembles of colors from Kodachrom, so I develop it as it is without caring to digitally correct the white balance.
One of the strongest forte of digital photography is its accuracy, that one can develop the raw file with close to reality white balance, and most often, can be overdriven by many novice photographers, like the millions of image surfing the web today. Kodachrome’s appeal is not that it is the most accurate film, may be not even the sharpest, but it does not matter, because it delivers a character of its own.
Today, with the digital technology, everyone should just do like shooting his own Kodachrome, makes a character of his own work.
Bangkok, 2012
FACES OF MYANMAR: The Messenger
FACES OF MYANMAR: The Messenger: Children are the living messages we send to a time we will not see. ~ Neil Postman Kids played with the mosquito net at a elementary schoo...
The Messenger
Children are the living messages we send to a time we will not see.
Kids played with the mosquito net at a elementary school, Inle Lake, Myanmar
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